AFTER DARK by Haruki Murakami - and others.
I always tell people that Murakami is one of my favorite authors, but to be honest, I find his work hit-and-miss. The thing is, when it hits, it hits hard.
The last of his books that I finished was Sputnik Sweetheart, and I thought it was one of his worst, nearly incomprehensible. (I own Kafka on the Shore, but haven't read it yet; it seems decent. Everything else in the interim has been short stories, I think.) Sputnik Sweetheart is pertinent to After Dark because they deal with similar themes, and because After Dark may help illuminate what's actually going on in its predecessor.
After Dark takes place over the course of a single night in Tokyo. The book centers on two sisters: nineteen-year-old Mari Asai, a student, and her beautiful older sister Eri, a model/actress. A young man, Takahashi, sees Mari in a Denny's, late at night, and decides to talk to her based on the fact that they'd gone on a double date several years earlier. When his friend Kaoru, who runs a love hotel, needs the assistance of someone who speaks Chinese, Takahashi points her in Mari's direction. One of the love hotel's customers has brutally beaten a Chinese prostitute, and Mari's help is needed to converse with the girl and get her back on her feet.
The rest of the evening - the rest of the book - mostly centers on Mari and Takahashi making a connection, which gives her someone to talk to, for the first time, about her feelings towards her sister. Meanwhile, something mysterious is happening to Eri, the meaning of which becomes clear to anyone who pays attention to the conversations that Mari has with the people she meets. Finally, we get a glimpse into the life of the guy who beat up the prostitute, and an idea of why he might have done such a thing.
At its core, I think After Dark is about people who feel isolated and how isolation affects them. One seems to both seek and resent isolation, reaching out for connection in inappropriate and ineffective ways, while rejecting connections that are more healthy. Another is isolated by their position in life and by a variety of health problems. A third is isolated, maybe, by issues of personality and self-esteem. For some of the characters, isolation is not just a feeling, but also a place*... a world that exists on the other side of mirrors, or inside a television, or in a dark office.
I liked this and would recommend it.
* The relatively straightforward explanation of what's probably happening to Eri is what I think has the most relation to the mysteries of Sputnik Sweetheart. It's been about four years since I read that one, though, so I'd have to read it again to be sure.
Other stuff:
Trial of Flowers by Jay Lake - Lake is supposedly making a name for himself in the fantasy/horror field (this book is a little of each).
I read the first few chapters of this and skimmed the rest. I am not qualified to review a book I didn't read. I can say that in the first few chapters, there was way too much telling and not enough showing; I'm not impressed with Lake as a writer, but I've seen plenty who are worse. On top of that, none of the protagonists is particularly engaging... everything here is grotesque. One protagonist is a politician's aide and a sexual sadist; another is the dwarf who raised him; a third is an unreliable loser from a dishonored family who scrabbles to recover some position.
In the City Imperishable (motto: The City Is), dwarfs are made much more commonly than born - remember the Bonsai Kitten joke from a few years ago? The Sewn faction of the City's dwarfs (Lake's preferred plural) is a group of highly educated (captive audience) people whose growth was intentionally stunted by raising them in boxes. The sides of their mouths were sewn shut, leaving a small opening and tiny pursed lips. There is a revolutionary rival faction of dwarfs, the Slashed, whose mouths are not sewn shut.
Lots of politics, plus plenty of bodily fluids, eventually including sand. This will appeal to some, but I am not personally interested in this sort of thing right now... it's a shame Lake didn't write it ten years ago. There's nothing wrong with his imagination, but I prefer my fantasy novels with less torture and degradation, thanks. Contrast this book to something that I liked, like Scott Lynch's The Lies of Locke Lamora, and you may understand why I didn't go on with it.
I've been hearing about Alison Bechdel for years, because I read what used to be called alternative comics, but I never read anything of hers until Fun Home came out last year. It was almost certainly the best graphic novel of 2006, so I wanted to read more of her work.
This involves admitting something embarrassing about myself, something that a lot of straight people do until they call themselves on it: a tendency to shy away from queer-identified material, particularly reading material, both because we think that it's primarily aimed at queer people (and thus not "for" us) and because we don't want people who see us toting it around to think that we're queer. (And not just because of physical safety issues - fear of being gay-bashed - either.) How can I say that I don't think there is any shame in being gay when I was acting ashamed that someone might think I was gay? When I realized that I really don't care if someone, particularly some random person in the library, thinks I might be a lesbian, that opened my reading up a lot.
Dykes to Watch Out For is sort of a queer-identified, politically liberal-to-radical take on For Better or For Worse or something similar. The characters age, date, break up, have children, and so on. Some of the characters live in a communal house; at this point in the story, which has been running for around 20 years, there are male characters, straight characters, bi characters, a young transgendered girl, and a young conservative Evangelical Christian lesbian trying to come to terms with how her sexuality impacts her position in her own community.
This book is fairly recent, with comics from 2003 to early 2005. There are a number of earlier books in the series. It's my first, but it won't be my last. Anything that you like about any ongoing comic about the lives of a small group of friends and family is probably true of this one, and it's definitely worth a look if that kind of story appeals to you. So as far as who it's "for," I would say, "Anyone looking for a good slice-of-life comic." (If, on the other hand, lesbian sex offends you, or you're really conservative yourself, you probably won't like this. But if you really are that conservative, I don't know why you're reading my blog, unless we're related.)
Comments
I thought Sputnik Sweetheart was quite captivating, but then I read Kafka on the Shore and that blew me away.
I tried to read Dance, Dance, Dance but couldn't...
I couldn't get into Dance, Dance, Dance either. I didn't like its predecessor, A Wild Sheep Chase, when I first read it, but it's something that works really well in the memory... when you think back on it, it comes together much better than it seemed to be coming together when you were actually reading it. At least for me. But I know people whose fave Murakami is Dance, Dance, Dance!
I think if I hadn't read most of his previous work, Sputnik Sweetheart would have been all right? Decent? But to me it just seemed like yet another short "disappearing woman" novel, slightly weirder than the others. My fave books of his are Hard-Boiled Wonderland, Norwegian Wood, and Wind-Up Bird Chronicle. (Yes, there are disappearing women in most of those, too, but SS reminded me most of South of the Border, West of the Sun, only with younger characters, and I'd found that one profoundly unsatisfying.) What I've read of Kafka on the Shore seems most like Wind-Up Bird. I don't know what After Dark is most like, really, because the characters are different than a lot of his previous characters... aside from Sputnik Sweetheart, it also reminds me of Banana Yoshimoto's Amrita, due to the situation between the sisters.
I'm going to have to make Jesse buy a copy of Norwegian Wood and Wind up Bird I think, then we can both have something to read and I won't have to wait for him to finish.
Those are both great! Try also "Hard-Boiled Wonderland" - it's weird, and basically straight SF/fantasy, but its structure is so interesting and the ending is devastating. It predates either of the other books you're considering here. I think I'd read it before "Wind-Up Bird". "Norwegian Wood" is a realistic love story set mostly in the late 1960s & a lot of people think it's a sort of fictionalized version of how Murakami met his wife. Before he was a writer (he started around 1980), they ran a popular jazz cafe together! :)
(I can be a complete nerd and admit that I think the best way to read the "rooftop scene" in Norwegian Wood - you'll know it when you get to it - is with "I For You" by Luna Sea playing in the background.)